novogodišnji koncert

 

 

 

 

Johann Joachim Quantz: Concertos for Flute, Strings and Basso Continuo

 

https://www.youtube.com/watch?v=DtzD18obVcQ

 

 

 

Georg Philipp Telemann (1681 - 1767). Quatuors Parisiens

 

https://www.youtube.com/watch?v=LM5Qg51Ls24

 

 

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Antonio Rosetti - Symphony in G minor (M.A42/I:27)

 

https://www.youtube.com/watch?v=WJhBzUrFqhQ

 

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“Scene of magic” G minor symphony, Johann Christian Bach Op 6 No 6. In three minor-key movements – including, in its central Andante, piu tosto adagio, one of the longest symphonic movements J.C. Bach ever wrote – this work reveals Bach’s major symphonic innovations as well as creating an explosive burst of the sturm und drang (“storm and stress”) passions that were the dark side of the 18th century’s sense and sensibility. Bach’s music was designed to appeal to its audiences. His tunes, his simple harmonies and his innovative use of orchestral colour were all supposed to enliven, entertain and elevate his listeners when they first heard his new pieces. But that deliberate attempt to make instrumental music an embodiment of instantaneous feeling and passion instead of the intellectual rigour and contrapuntal complexity of an earlier era. But somebody who did realise how Johann Christian was opening up new possibilities for the expressive potential of instrumental music was Mozart, but also other Rosettes for example.

 

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"Scenska magija“ simfonija u ge-molu, Johann Christian Bach Op 6 br. 6. U tri stava u molu – uključujući, u centralnom Andanteu, piu tosto adagio, jedan od najdužih simfonijskih stavova koje je J.C. Bach ikada napisao – ovo delo otkriva Bahove glavne simfonijske inovacije kao i stvaranje eksplozivnog naleta sturm und drang („oluja i stres”) strasti koje su bile tamna strana čula i senzibiliteta 18. veka. Bahova muzika je dizajnirana da privuče svoju publiku. Njegove melodije, njegove jednostavne harmonije i njegova inovativna upotreba orkestarskih boja trebalo je da ožive, zabavljaju i uzdignu njegove slušaoce kada prvi put čuju njegove nove komade. Ali taj namerni pokušaj da se instrumentalna muzika učini oličenjem trenutnog osećanja i strasti umesto intelektualne strogosti i kontrapunktne složenosti ranije ere. Ali neko ko je shvatio kako Johann Kristijan otvara nove mogućnosti za ekspresivni potencijal instrumentalne muzike bio je Mocart, ali i drugi Rosettes na primer.

 

 

Zoran Stokić

31.12.2021.